ta fotografie, na ktere jsem nejprve modelku nepoznal, je urcite zajimava tim redukovanym chaosem. Nicmene, podvedome se mi zaradila do kategorie tech obrazku, kdy mi hlava zacne vymyslet, jak bych to delel jinak - coz je samozrejme ted trochu debilni komentar.
Ale kdyz uz jsem to nakousl, tak to dopovim. Prijde mi, ze by to cele melo byt fotografovane z perspektivy prave strany obrazku. Jednak by to dalo vyniknout hre tvaru toho sedaciho nabytku, a jednak by to bylo vuci zobrazeni modelky mozna prinosnejsi nez tahle perspektivni zkratka.
Pokud z tehle strany, tak hodne seshora, ta konstelace toho ipodovyho stolku s tema chaiselongue by vypadala proti tomu drevu dobre, s nahotinou navic.
Ve fotografii neni nic "dobre" nebo "spatne," je to proste jenom jinej pohled.
MS: ja si spis myslim, ze LL (nebo ten renesancni portret) evokuje ten vazny, dospely, strnuly vyraz. Asociace LL se jaksi dere do podvedomi, protoze ona s touhle "technikou starych portretu" prisla jako prvni ve fotografii, coz nejspis zase ma puvod v jejim vzdelani. Od te doby tak pracuje rada lidi, ale tenhle efekt, fotky caparta ktery pusobi dospele, je tak nejak spjaty s ni.
I normally don't read everything in the boards, so I was not ready to read such an excentrical pose, that's the reason I wanted to react. (what about circular pictures? Or eliptical, this was very fashionable about 100 years ago)
I didn't forget to write something about a picture. I just wrote nothing, its simple like this...
sounds bizarre for me.
most portraits are shot so (it gave this format the name), all posters, magazine covers, most of the books... I would wild guess that in the end ist this way of recepting a picture the most seen ever. But that's not the point. I simply can't imagine that something like this can play a role. What about square? :-)
It seems to me like when someone would say to me, he can eat a fish soup only if he would be wearing a fireman's helmet, just a little dada.
v tom filmu to funguje tak, ze vzdycky, kdyz se nejaky zaber blizi jakemusi dejovemu ci vizualnimu vyvrcholeni, tak reziser udela cut jeste nez k tomu vyvrcholeni dojde.
Je to silne zneklidnujici princip.
Takovy kinematograf interruptus.
Bohdan
Igor Chmela
krome toho bych u tohohle druhu portretu cekal ostrejsi podani toho gesichtu.
Řecké báje a pověsti
Adriana Cahová
to jak ta noha v rohu prejde do pozadi je dobry.
ze je chlap neostrej taky.
nočná ZOO
Matúš Mudroch
### z tajného deníku kavár...
Ianus Germanicus
Outland Empire
Adriana Cahová
### Nuda v Rime (varice E ...
LA * bláhová
Ale kdyz uz jsem to nakousl, tak to dopovim. Prijde mi, ze by to cele melo byt fotografovane z perspektivy prave strany obrazku. Jednak by to dalo vyniknout hre tvaru toho sedaciho nabytku, a jednak by to bylo vuci zobrazeni modelky mozna prinosnejsi nez tahle perspektivni zkratka.
Pokud z tehle strany, tak hodne seshora, ta konstelace toho ipodovyho stolku s tema chaiselongue by vypadala proti tomu drevu dobre, s nahotinou navic.
Ve fotografii neni nic "dobre" nebo "spatne," je to proste jenom jinej pohled.
S(8) cairo
Milan Bureš
S(3) marlenka
Milan Bureš
### S(8) Maroko
Pavlína Princ
### S(6) letni stripky
Pavlína Princ
<>
Ondrej Urban
little girl blue
Stanislav Petera
little girl blue
Stanislav Petera
My home; x-rays in a w...
Arthur Fleischmann
I didn't forget to write something about a picture. I just wrote nothing, its simple like this...
My home; x-rays in a w...
Arthur Fleischmann
sounds bizarre for me.
most portraits are shot so (it gave this format the name), all posters, magazine covers, most of the books... I would wild guess that in the end ist this way of recepting a picture the most seen ever. But that's not the point. I simply can't imagine that something like this can play a role. What about square? :-)
It seems to me like when someone would say to me, he can eat a fish soup only if he would be wearing a fireman's helmet, just a little dada.
### S(5) <>
Lucie Michnová
ten Richardson tam ma ale lepsi veci.
S(2) *
Petr Mahdalík
Neuch je zkazeny misto, to rikam furt.
* * *
Ianus Germanicus
...
Stanislav Petera
S(2) PORNObejby
Lucie Michnová
Je to silne zneklidnujici princip.
Takovy kinematograf interruptus.