it reminded immediately of tomáš pospěch series "look at the future", which is in my view much more communicative. you can find it here: www.pospech.com menu:portfolio:look at the future
fine picture.
i dont think that coherence in postprocesing is in using the same colours. you can use what you want, just be careful with hue etc. using different colours can help you with the rhythm of the series. but it doesnt work like "today it is time for a red scene", thats obvious.
as i said, youre the great composer. but i have to think about what is your subject. those halls and stuff are so boring, without life, seeds of globalization, standing on rich ground. yes, you do your job very well, but...
your last photo here is about something different, confrontation, humor, you know.
well, i can understand the composition. :)
when i go to the stone gallery, for exaple, i never think like: i would cut it from left and moved the camera up. but its ok to say it.
i got the idea you wanted to say at first sight - it means i like it. :) but i dont understand the first one in that line.
your sentence below about why are you shooting those things is the one im trying to think up for year...
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Arthur Fleischmann
www.pospech.com menu:portfolio:look at the future
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Arthur Fleischmann
i dont think that coherence in postprocesing is in using the same colours. you can use what you want, just be careful with hue etc. using different colours can help you with the rhythm of the series. but it doesnt work like "today it is time for a red scene", thats obvious.
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Arthur Fleischmann
your last photo here is about something different, confrontation, humor, you know.
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Arthur Fleischmann
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Arthur Fleischmann
S(3) <>
Arthur Fleischmann
once you say it, its lost.
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Arthur Fleischmann
i will write something more when i get the connection between those photographs.
My home; x-rays in a w...
Arthur Fleischmann
My home; x-rays in a w...
Arthur Fleischmann
just a couple of weird associations. :)
i like your home.
HN: are you paid for saying "no vertical shooting" on every corner or what?
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Arthur Fleischmann
when i go to the stone gallery, for exaple, i never think like: i would cut it from left and moved the camera up. but its ok to say it.
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Arthur Fleischmann
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Arthur Fleischmann
your sentence below about why are you shooting those things is the one im trying to think up for year...