dlouho váhám, co napsat, působí to na mě tak sedmdesátkově, východně. šedě, ale promyšleně. určitě to není berlín 21. století. to provedení totiž vypadá jak nějakej ušlechtilej tisk, s tím jsem dost dlouho bojoval. je to názor.
fine picture.
i dont think that coherence in postprocesing is in using the same colours. you can use what you want, just be careful with hue etc. using different colours can help you with the rhythm of the series. but it doesnt work like "today it is time for a red scene", thats obvious.
as i said, youre the great composer. but i have to think about what is your subject. those halls and stuff are so boring, without life, seeds of globalization, standing on rich ground. yes, you do your job very well, but...
your last photo here is about something different, confrontation, humor, you know.
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Michal Bílek
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Tomáš Szépe
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Arthur Fleischmann
i dont think that coherence in postprocesing is in using the same colours. you can use what you want, just be careful with hue etc. using different colours can help you with the rhythm of the series. but it doesnt work like "today it is time for a red scene", thats obvious.
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Jarda Sedláček
### <<*>>
Valsidal Ruzam
### S(3) <>
Arthur Fleischmann
your last photo here is about something different, confrontation, humor, you know.
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Arthur Fleischmann
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Ondrej Urban
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Jarda Sedláček
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Arthur Fleischmann
S(11) cestujem...
David Čeřovský
S(11) cestujem...
David Čeřovský
How I Taught Vegetaria...
Ianus Germanicus
S(7) jiří černický
Kamil Tupý
little girl blue
Stanislav Petera
### Lets go to the strange...
Paul Paper
your website if full of amazing stuff.
S(7) jiří černický
Kamil Tupý
první je hodné dobrá, ostatní si ještě musím rozebrat.
pisces
Ondřej Hruška
S(3) decent land
Kamil Tupý
pisces
Ondřej Hruška