neopusta ma presvedcenie, ze priestor na dychanie tomuto zaberu pristane. zaroven nadobudam dojem, ze aj "odrezany" priestor hra v tejto malickej scenke svoju rolu a to dokonca podstatnu. inymi slovami, rozpacitost v tvorbe nazoru sa postupne vyvija na zalubu vo fotografii.
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Pražské léto XXIII
Lubomír Vlk
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